idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
I spent the bulk of yesterday trying to detangle a laceweight skein of yarn while watching Hana Kimi.

laceweight: any yarn obscenely skinny for creating lace-pattern knits. Think .5/.7 size pencil lead thickness.


the cheerleading sequences... omg, especially since I know Japan has a very manly traditional cheer tradition

I started with a rewatch of the J-Drama, after having read the [livejournal.com profile] rainscene review of it and remembering it's crack-filled glory... then realized I really needed to get back into the Taiwanese one.


...I'm back into it.

T-version Dr. Umeda? Somehow the best thing in supporting characters since Han Solo

And MAN, it blindsided me with Jiro Wang.

I actually looked him up the other day for my suitdistracted Tumblr, and realized he's a total Sean Bean* to me, a man-crush that isn't about being attracted to him, but just admiring his abilities.

The way he plays adorably earnest, self-confusing and yet jock-arrogant Nakatsu is just awesome. Even with the over-the-top comic acting. He can play the exact type of character that usually annoys me most and carry it off with charm. He did this in It Started With a Kiss, too.



In fact, if you pitted either drama-Nakatsu against manga Izumi, I'd be off the canon ship like shipwreck. He has the fairly common shojo-hero's problem of doing nothing to deserve the heroine's love, while second-lead labors for it...
But Oguri Shun's Izumi has a voice, omigosh I'd forgotten Rui's voice, and Wu Chun's has a playful, teasing personality that actually has real interaction with the heroine and is actually more aware of her and her needs than ----> that.




*Sean Bean: [livejournal.com profile] fabricalchemist and my still-developing term for a platonic-or-not on a guy who you want to BE, as opposed to wanting to be with
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
WGM: savior of K-Dramas?
K-Pop Talk Lies Within )

Anyway. Heartstrings is kind of fun, I don't know whether I'll stick it out but for now I'll keep looking at it when I've run out of City Hunter and other things. During the first two episodes, I'm totally shipping the wrong man. :| Remind me to tell you about how cute Myung Wol the Spy is going to be sometime, too! I'm on the OTP ship like whoa for that one, and I've only read the recap for the second episode, since it's not subbed yet...
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
Finally! Lie To Me (k-drama), finally.

That's the kind of ending note that will have fangirls tearing their hair out, because a week is so long...

Doesn't hurt that it includes one of the most naturally set-up kiss scenes *I* have ever seen in a K-drama, anyway. It was also just a good one, but the beats of it were fantastic.

I suppose that would be the director, not writer. I must say, they're doing good working with what they've got, too.


I'm posting much more about this show at suitdistraction, one riff on how the set-designer is outshining the costumer, and a digression on the hero's trademark fashion statement, with another set-profiling to come...


NGL, that is a fine suit. But look at those DOORS.

***

Tangent on Nursing-the-Sick-Bonding


Once upon a time, I was a wee tyke writing myself running night-time-plays in my head (recent experience tells me it was the sugar keeping me up, now I'm mostly not having any, when I do sleeping is a chore).

Since then I've loved the possibilities presented by injuries and illness to get characters up-close with each other, self-sacrificing. K-Drama overuses it, especially sequences where people are staying up all night to reduce a fever, looking anguished, when really. Really.

oh Boys Before Flowers. You never  fail me

(Stellar exceptions: You're Beautiful, where Mi-Nam is clearly delirious and yet is realistically dead set against going in and being found out, a way she wouldn't be unless she WAS feverish. The way she yells at Tae-Kyung. Gah. So good. Also, cliche or not, Kyoko attending Ren all night in Skip-Beat makes *me* feel a little feverish.)

The one in Lie to Me is okay: food poisoning's not as well-worn, having private doctors come and put him on an IV kind of cute, and that push-pull moment of them connecting when he wakes up, and then having to ignore it IS serving it's purpose. But it more made me reflect on this propensity, and how to make it fresh

[livejournal.com profile] fabricalchemist  will agree with me sometimes getting characters feverish is the only way, and I hope [livejournal.com profile] rhinemouse  will back me up when I say there are some tropes you can never get tired of....


I'm afraid Vigil Assistance is going rely primarily on sports-type injuries and psychological trauma to get ANYWHERE.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
Oh, Mike He.

I so want to believe in you.
But you look like your Calling Big Star character--worn out on acting. Doing it for the career.

I will hold to my hope that soon someone will hand you something exciting again.

Meanwhile, skimming lightly over Sunny Happiness,

I remain,

provisionally yours



P.S. I note you are 28 now, and maybe just looking older. BUT don't make those excuses. I've seen Lee Sun-Gyun and he's always been older than that. And yet he's on FIYAH.
*cough*
Sorry. But yes, this is a threat.
Love and doubting, Bethany P.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
I have a bit of a hang-up on age-gap stories (in either direction) so I am happy to do some handwaving for the fun involved.

This movie did a bit of glossing as far as plausibility goes, like where the girl ends up staying out all night, and her mother that lives with her alone doesn't notice. I was actually a bit uncomfortable, but not because anything about it seemed inappropriate--almost because of the opposite. Like there wasn't even that danger in the reality of the movie, so I didn't know where we were.

This movie had the kind of reaching-for-art-movie understatement I see in a lot of the Korean chick-flicks, and that makes me tense, not know what my expectations should be.



But the end pushed it over into one of the better movies I've watched in a while, at least as far as resolution goes. The main male character has spent the whole movie not saying much, going with the flow of things, really hesitant and only showing how much he's drawn to the girl by getting caught up in things he wouldn't naturally do. The final step of the story doesn't ignore that.
It wasn't a rom-com ticky-box ending but the perfect finish to the story that came before.

And the acting and set up of the scene do so much of the work that the simple words, "I like you" gave me chills.
In a language where that's one of the few phrases I know.
Because you see it in his eyes, that he can't help saying it. And she really does look subtly more grown-up and beautiful, the way he's seeing her and the way she's supposed to be.



(It's interesting how this guy has a very common look, and in some moments projects something very attractive without...changing.)

***


The pitch-perfect resolution is so important, and where genre fails writers if they don't pay close enough attention. You can walk away from a movie having laughed, and tell people it was "pretty good", without that closure of an intelligent ending. The feeling of having been through something more worthwhile, especially more than you expected, only comes from a finishing blow that brings out the best in the characters, and resolves the main themes of the story.

I am very interested in this phenomenon...






***

Hey, also if you're a K-drama/movie watcher with suggestions for titles that are pleasant to watch, please tell me about them!

I've watched the more obvious comedies like 100 Days with Mr. Arrogant, which went for overt gag rather than good close, and Innocent Steps, which went one step over into sort of horror-like, though its end would have been really sweet if I wasn't still horrified by the nastiness of the world it portrayed.
(A nastiness which did NOT make any earthly sense, by the way. Seeing the dark side of the real world or an imagined exaggeration of one is one thing, trying to believe a dance school gets away with crippling rivals with their car, several times in a row, and are still in the professional association to compete...it's ballroom dancing, and this is not just a little tack in a ballet shoe.)

So yeah. Pleasant. Not necessarily comedy, because this wasn't really one, but I like that, too.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
I'm rewatching Coffee Prince, since it's been a long time and MANY dramas since I did the first time--and man. This is a really good show.
Why this show's writers deserve prizes and hugs... )



Hero loves his granny. Gotta fall for that...

And I hadn't noticed, but like physical contact, the whole people-singing-to-each-other element starts in the second episode, if not earlier. So when later it's a big emotional moment, it's not some pretty heart-tugging out of nowhere, but just an element of the reality.

That's the kind of set-up that made this a masterful piece of TV writing. The jostling and fighting is set up so that scenes where it escalates feel natural. Wah.

To think, if this hadn't been one of my first shows, I might not be here today...
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (dismemberment)
I'm watching the Mainland China drama version of Hana Yori Dango.   (12.26 am on Thursday morning, not posting this immediately because of obvious timing issues with my last post [I knew I should put it off until I had something I was passionate about to post])



Oh, I'm pretty sure this is the only one I'm going to like.
For one thing, the viciousness has been toned down so unlike in every other version, the first episode of the show did not give me a subtle sense of creeping horrors.

For another, I wish I could capture for you the short section where the actor for the Domyouji/Gu Joon Pyo character is comparing the girl to a fly, mimicking it going in buzzing circles around your head, and then saying "It doesn't bite, but it annoys the bejesus out of you".


...maybe part of that was seeing a subtitle use the phrase "bejeezus". No, the comic repetition the gesture was pretty good, too...



***

To be more analytical, the opening of the show doesn't start off with the F4 idol gang formed as it's going to be--the fourth guy is new kid on campus just like the heroine is, and there's some fun fight scenes over it.



Also, shiny cars--though the Korean show had prettier ones.

I've realized in the last week or so that I actually really enjoy clean fight scenes--the kind where you know everyone's going to get over their bruises and maybe breaks eventually.
This really should have been obvious to me, but it wasn't.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
There's a particular shojo subgenre or at least trope, of being trapped by circumstance in proximity with a guy who is both attractive and evil to the main character.

I talked a lot about Playful Kiss/Itazura na Kiss--it neatly fits the "forced to live together" trope subset. Marmalade Boy is so similar in basic elements that I really wondered if it wasn't another mangaka trying to do right by a story that was so abused by its own art.

I read much more of Marmalade Boy than the other, and watched most of it's Japanese show, too. One of the main differences is that the guy pursues the girl first, though he often pretends she's reading too much into it, as Japanese boys-in-manga are so wont to do. The other main difference is that the art is not physically painful.

Completing the Golden Triangle of Mutual Rip-offs, or whatever the phenomenon is, we have Akuma de Sourou:



Which has it's flaws as far as art goes ([livejournal.com profile] rhinemouse  claims the hair hurts her eyes) but has two notable trumps over Itazura...
~ It's unique in its flaws
~ It's mostly actually good

If you look at the three of these works (Itazura, Marmalade, Akuma de Sourou) they really do make one wonder who is borrowing from who-- it could practically go in a circle if you went by themes in two and not in all three. This is a question that I could theoretically find an answer to on Wikipedia with a simple look at publishing dates, but that excludes all the manga from previous generations I have not read, and would therefore be simplistic.

And I'm not so interested I'd research, perish the thought.

Anyway. Of all the actual storylines, I like Akuma de Sourou best. The *forbidden romance* comes in not just because they're young and in the same house, told not to date, but because their parents want to marry each other. Stepsibling love is in nowise uncommon a topic in Japan (with allure primarily because I think not many Japanese *have* stepsiblings) and Marmalade Boy trumps everything with having the parents swapping partners mutually. It then handles the issue like a big sitcom routine, so the heroine's angst feels unfounded.

Akuma De Sourou does not take any of the issues it brings in to complicate the course of True Love lightly, which makes for a very good story. Especially since all those complications have been Seen Before. Treatment is important.



This picture neatly summarizes the relationship dynamic, and also represents the only drama-version I've found of it.

Devil Beside You

The girl is played by Rainie Yang, the guy by Mike He. Both are Taiwanese Idol Drama Superstars, for good reason.
Rainie is adorable, even when playing the most outrageous characters (yes, Miss No Good, you know who you are), so that the fact that she is often overacting has no space to bother me.
Mike He in this drama is cursed with being filmed stalking away a lot. When he walks slowly or runs he is all that is suave, but his storming is a bit awkward--he's a little short-gaited. This is made up for by the fact that this drama does not stint on the kissing, which is where a lot of K-dramas fail, and where Mike He makes Taiwanese drama look much more romantic.

But enough about that.

This Taiwanese show doesn't get the gorgeous sets and filming of K-dramas (Bullfighting, which starred Mike He as well, did better) and has some of the same sound-quality weak points, but the strength of the story (from the manga) in the supporting characters, even the antagonists having their own sense, makes it one of my favorites to rewatch.

The manga is actually stronger in characterizations, I think. The girl has two contrasting friends of familiar types, but who feel 3-dimensional. And the guy has friends too! A whole gang of them, actually.




"Akuma de Sourou" is translated as "The Devil Does Exist" (though I don't know if that's accurate).

Storyline summary is this: Kayano's young widowed mother has fallen in love...with her principal? And Kayano's just handed his son a love-letter for someone else--which has made her his victim of choice for teasing. Soon he's coming over all the time, for meals, looking pathetic about being all alone at his own house. But Kayano knows he's really just torturing her--though he's her junior at school! If only he wasn't so cool sometimes...

It has a lot more violence and basketball than normal shojo manga does, which I always love.

***

Interesting note, and any theories on why this is would be welcome:

High school manga in Taiwan are recast as being set in college. Maybe because they aren't supposed to date as high school students? The only exception I've seen is It Started with a Kiss--and that's because the manga's story transitions into college after the first arc anyway.

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