idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
Viikii.net is both awesome and annoying, because of the exact same feature.

COMMENTS.

They scroll at the top, exactly the same way the subs scroll on the bottom--earmarked on certain moments.


In one way, it's like watching the show in a room full of people, making wisecracks. I don't particularly like watching stuff by myself with no one to talk to, so that's fun.
Depending on the show, though, sometimes the fangirl mentality is A Little Much.

This dude played one of the F4 (gyaku-harem boys) and the main alternate love interest in Boys Before Flowers, which means there's a pretty big sector of his fans, and then there are a LOT of people who love It Started With a Kiss, the Taiwanese show.



They're complaining about the pacing for one thing (it's a 16-episode series, ISWaK ran 26 or more) and this is silly, beyond the issue of dragging your favorite version as the pattern for all good versions into every discussion [irk].

And I really liked the Taiwanese version in a lot of ways.

Oh Ha Ni is seen above getting ready to deliver the vending machine of Baek Seung Jo's juice, a talent she is much reluctant to reveal to him. It involves kung-fu moves.


In this version, she is much more awesome--and it's not just her odd talents a real person would have.
She is more constantly in contact with him, after she would have given up, and is obviously being drawn back to him despite her better judgment.
From fairly early on it's also obvious that he feels possessive of her affection: something that only comes up in the last of almost thirty hour-long-episodes of the Taiwanese show. Baek Seung Jo's jealous, without knowing it, in, like, episode 5! This is halfway through the show. Yes, it's moving a bit more quickly, but they've set it up to be much more satisfying as a story.

The hero's holding out against her attraction, and that's obvious, rather than being somewhat ambivalent.


That said, the fangirls can sometimes also be hilarious in their commentary on certain moments. And it's cute to watch them setting each other off into trains of plotbunny thoughts...




This kiddo is the source of some. Some of the rabid ISWaK fans are not happy with him compared to the little brother actor in that version, but this is nuts. This little guy can actually act instead of just looking cranky and saying the lines he's supposed to say.

It's kind of fascinating actually.
I hope being a child star doesn't ruin him, because he has charisma and seems to understand acting. Real bright kid.


***

The three of you who are interested in this stuff are giving me ideas. Is it time for a rant on BBF?
Have I ever done a complete comparative review? I gotta go tag-surfing in my own journal again...P
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (queen)
ETA: my name is on a magazine~! Hopefully my poem is in it, too...

***
I scorn mediocrity.

So my LiveJournal has been bothering me for some time. XD

I went back over my posts in the last few months, and realized I get more comments than I think, though from as few people as I was guessing...


newest art-crush ~ Lisa Falzon's work, Etsy/DeviantArt handle: meluseena

I did discover that pictures seem to bring in comments-- recently, though, even my yarn posts have gotten less.
I don't know. This isn't a complaint, by the way.
I am a fiend for attention, when it comes to writing, online, shows. But I also just want to have a blog that people want to read.

So seriously?
What kind of posts do you notice?


You'll note a new avatar, though I actually probably look more like this chick:


I'm writing a Snow White tale today, based off of the image at the top and this Red Riding Hood one. It's not so much the edge of horror to this lady's work as the outright prettiness without apology.


meluseena's Etsy includes prints, and pocketmirrors with her art on them. Do check it out.

The best thing about my Treasury making the Etsy frontpage is that it felt like making the seller's rockstars...
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (braiding)
I am reading Audition by Michael Shurtleff.
It's one of the books where if you are willing to think in metaphor a little, is a perfect writing book, though not about writing. Because it is about art, and about story.

"One great missing ingredient in current acting is romance. Everyone secretly wants romance, but in these harsh, "realistic" days, no one will openly admit it. ... We must be hard, to live in the post-Vietnam, post-Watergate era of disillusionment.
    But what has made EQUUS such a phenomenal success? Romance. And ANNIE HALL and ...  A CHORUS LINE and  STAR WARS and PIPPIN. Shakespeare's plays retain their undiminished popularity because they are ever-lasting romances. Yet most of the creators of these shows would deny that they are romances. ...Romance has gone out the window. It is time to bring it back."



I think this is a key to the more recent culture of stories.
Twilight, Harry Potter and the Various Face of Evil, The Da Vinci Code...hey, even the goth and then emo youth cultures embraced the drama of the Romance, in a fairly reactionist way.
(Since this book is from '78, as placed fairly clearly in that snippet, I am extrapolating beyond a point the author could.)

Romance being a story that is made up, that focuses on narrative be it an adventure, a journey of maturing, or an affair of the heart.


So. I'm rewriting the ending of one of the volumes of Aolon, The Epic That I Can't Name For The Life of Me. But the bones of the story keep drawing me back, because it is fairly high-scoring in the drama and romance department.

I just need to tear down the melodramatics of its adverbs and give the characters a few better lines.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (braiding)
"It is up to her to inform them that when she has "that look" in her eyes,
it does not mean she is a vacant lot waiting to be filled.
It means she is balancing a big cardhouse of ideas on a single fingertip,
and she is carefully connecting all the cards using tiny crystalline bones
and a little spit, and if she can just get it all to the table without it falling down
or flying apart, she can bring an image from the unseen world into being."


~ Women Who Run With the Wolves, Clarissa Pinkola Estes


I don't have to tell you again how much I love this book. But the way it continues to speak to me at points I need a bit of encouragement and a lot of prodding is pretty astounding.

in other news...



I watched the first season of Buffy, and am now going to stop watching it.

It's too scary for me. I love the wit (Dreams! That would be the musical comedy of this... It's our nightmares. ~ Giles)
but uncool as it is I have to face up to the truth. I have "delicate sensibilities", and the body count really bothers me.

Hulu.com has the first 3 seasons up, with commercial interruptions, for the interested. I think it may even be legal to watch them.


not to prolong your agony, but...

I was going to do a "Recently Reading" manga round-up (of only my recommendations, because I've been reading too many to talk about them all, but I think I'll do that some other day.

For now, I am squeeing over the reappearance of a certain character in Skip-Beat, and the arc following him like a katana strapped to his back...



The greatest thing about Skip-Beat is that though the heroine is being "pursued" by multiple guys, it's only a portion of the guys she's interacting with, and for differing reasons that are very believable. Or at least, organic to her character.

I'm for Ren in the long-term, but I *love* the Sho and Reino arcs.
(This from a girl who hates triangles for the most part, too.)

...Reino...<3


Last, an AMV that has it's own art (Howl's Moving Castle/Kryptonite)

(It's my first official entry into a collection. It's such a curious phenom...
This one, BTW, uses effects I haven't really seen, as a story-telling device organic to the theme)

{Yes, I'm thinking too hard about this. It's the suppressed academic in me.}

idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
Just in case you never wondered what Aolon's capital looked like...well, you should because the Italian city I found that looks like it is amazing, and I can't believe I stumbled across this:
Dolceaqua )

Today's Google Image Search hot topics were: Dogtown and Z-boys (as well as Zephyr Skate Team and Stacy Peralta...where's his spinning hair picture? *grumps*), air trolley (you'd be surprised...), streetcar/night, flower boxes (Holland/Netherlands) and city stairways.

Which brought me to Dolceaqua, as well as Kaymakli, a totally underground city among the many built in Turkey-area at the time of Arab invasions.
Good idea. People are such geniuses. I mean, they had an air system, still camoflagued entrances, and multiple levels.
    You think you're coming up with something fantastic for your speculative fiction, and there you have it. Just do random collage-bits image searches for thematic elements in your worldbuilding and it'll come to you.

Now, onto the to-the-death duel I have on with the books to be read on my shelves...


Shoubu! Stats:
Truth of the matter? It's all still there.
Headway made only against the incomers. I do want to read Name of the Wind and Water Mirror, but...
Well, I have two days. I'm not working.

And my Aolon Wordcount is:

29791.

I'm gonna make it. I may even have a novel by the end, too.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
The last crazy day of tour successions is over. This morning's Big Event was having a school bus stuck down by the pond where Diane had not told them to park. Yesterday's was having two groups of one hundred arrive at the same time, because of the first group being an hour late. Luckily the second was lunching first.
 My real problem with these was dealing with the Tourist Style trash cornucopias. 2x100 kids' bag lunches in pieces, yesterday crammed ON TOP of the bag. Not really something you can get mad at anyone for, but icky 'su. I find the waste of food odd. But I guess different kids like different things, and we've had a lot of four and five year olds these last two days.

I've had something [else] bothering me since the VP workshop I want thoughts on. Sorry. Must vent; will allow you to chose to ignore or not: comment only if you will. However, if I don't get thoughts on this, I may rephrase it to be less emo-angst-drama and post other places you may just see it again and be compelled more strongly to answer. You've been warned. I was typing this for a Yahoo-List e-mail and realized it WAS far too emo-angst-drama to suffer through having go the rounds there.



Look, I even used italics. Teenie-bop spirit begone! *sigh*
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
I'm surprised by the kinds of people who get to talking with my boss about her farm and eventually say something about wanting to get back to sustainable living. That they're doing something about it, working on their life skills.

I know that around here is actually kind of a hotbed of this sort of commitment, but I evaluate covers, I admit it. Often the contents surprise me. Not because I want to limit them, but because they vary from my expectations.
It is kind of funny to know that my family is so low-brow looking, with the farm we have: baling wire lying around, rusted, no less; last week's butchering's telltale feathers floating about, the brown-painted outbuildings looking just as shabby as when we moved in. Four cars, only one of which looks like decent and is currently out of commission.

It kind of bothers me. But I'm not the one out there working it. So the fact that I don't take  up the slack on neatening makes it really my own responsibility.

I'm tired right now, so I feel doubly like some major acknowledgement of shabby laziness in the family enterprise. I won't because I can't say objectively right now. I wish I cared more practically instead of absorbing it all theoretically. I seem to be a disseminator of knowledge, though. And ownership means a lot to me.

Which is the point of family enterprise.

I think I'm too old to not have my own personal enterprise now. Too bad I've latched onto writing fiction, FANTASY fiction, at that, to be the enterprise I pour heart and soul into.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (hatted)
I had a real inspiration for World Domination 101 yesterday.
 So I've thought before.
But that doesn't mean this one isn't good, or those were less valid. Just that I keep needing them. Basically, Illiana has to come on annoyed at Jude, that everyone should be less happy at the start of the story. I really need to mull over this more (and I've had time to mull, if I haven't touched it.


  I honestly don't know what I get out of writing girls-dressing-as-boys stories, but they happen ALL THE TIME.

Also? The supers short I've been contemplating just for a change of pace, and exercise again, a bit of fun? Has decided to be from the POV of the mindreader. It's so perfect.
 That will be so hard.          *cries*

My Evil Overlord Fragment
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
 I picked up De Lint's Moonheart this morning. I was sucked in from the first paragraph--not that I couldn't put it down, but I was grinning inside, and thought "Yes, I want to read this book."

He did establish a sort of a hook. Not a problem necessarily. He's taking his time to establish. No, it's the setting, the character where he puts in just enough quirk you know it's a real person, but they're also recognizeable as the sort of person you've met somewhere. The fascinating place. The hint of the magical about to impact on that life and challenge them to new growth and new gifts.

I've known for a while that my strengths (and, more importantly, my interests) lay not in intense plotting. I love twisty plots. They always astound me, and so I'm great fan for those like Megan Whalen Turner who can put together a story that bends around your brain and then comes straight at you, unexpected.
But I can't write them. At least, not yet.

McKillip is another favorite, but she doesn't twist the plot so much as complicate it by introducing new things, characters especially who you want to win ALSO.

I wonder how much frustration I'd save by learning to write the stories I can tell? I'm getting better about it, but still...

For now there certainly is value in stretching myself to do things I can't do easily or well. But when I become a serious careerist, I think I'll have to let go of the supers. They run me ragged, and still look rather sedentary.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
Actually, I just want to have the term "Viable Paradise" here for any Googlers who, like me, came up with a dearth of information outside the site. Which is sad. Because it's street cred should be puffed up on the Intrawebs, not otherwise.

 Hello, I'm Bethany Powell and I'm a writer. I've come to VP to get a hold on what I'm doing wrong.

It was definitely worth all the months I spent earning airfare/hotel rates/tuition. I'd do it again in a heartbeat, if that wasn't blatantly the wrong thing for me to do. I have about ten years of work ahead of me!
 Why?
It's not that I'm going to sit home and write short stories that ache for meaning until I'm 27, like Jean (roommate) maybe worried about. I agreed totally with the idea that I need five more years (which will make me 26 1/2, actually) (parentheses! mwahahaha, Ben Biggs, I R IN MY BLOG IGNRING UR STILE CRITS) to grow up and have enough life experience to write seriously from. Doctorow's observation that I was overreaching myself was spot on.
 But. Though I at least interpreted his comments to mean I have a lot of juvenility going on in my writing, I am pretty sure what I submitted typifies my bad writing, not my good. Lack of control is what typified World Domination 101.
 It wouldn't exist, and it certainly would be no good, if I hadn't lost control somewhat. The over-the-top humor came straight from my giggling into the keyboard. When I write by pen I am controlled, I contemplate, and even my humorous pieces come with a certain pacing enforced by my sense of timing.
 And there is a grace in it because I've been doing this for almost 10 years, I am a very lingual person, and control of your craft is good.
 But what was broken up by typing things as they came for my superkids with mediocre powers (! hook phrasing !) was that it's a blatant oil-spill of my native humor as I speak, as my Boston Irish side of the family talks with each other, as I've grown up bantering with other home schooled/cross-cultural/book geek kids with large vocabulary, advanced critical skills, and a precocious perspective on the world. So I need to clean it up. I need to rework it so the huge possibilities for solved=new problem are exploited, instead of incidental.

Maybe tomorrow I'll go anecdotal, but yesterday I spent telling my family all that and it's not so interesting right now. Freeskate on what I'm thinking about what I learned is much more interesting to me.

Now it's time to go write for once. I did get two pages in on my first flight. Aolon suffers from the same plotting problems, but at least it's syntax is fairly clean, now I've gotten past the bits were I'm trying to be archaic and failing to make archaism sound fluent and fresh.

At least I know the problem, right?
    That is--Bethany thinks she's far cleverer than she is, and writes accordingly...
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
    [this will probably mutate into other posts elsewhere as well--I disseminate myself]
I realized while devouring Patricia McKillip's Ombria in Shadow that I love her fantasy novels like I love Hayao MIYAZAKI's films.

The parallels are in the worldbuilding, but not in the exquisite detail they put into it. Hayao's is primarily visual, as is her's in a way. But both really excel in drawing a place so that you are aware of it's hidden corners and that there are complexities beyond the stage.

They also are good at drawing out a single facet of our reality and looking into it, making it more major so that the whole of the world around it is reflected differently.

Oddly enough, that "facet drawn out" phrase makes me think of Rescuers Down Under, the image of the diamond they're looking for. Apparently that was a stand-out moment. The colors and contrasts were very striking.

With McKillip, having an artist with a uniquely rich vision create her covers is an asset to the experience itself of her book. With Miyazaki, his adaptation of Howl's Moving Castle (while not as perfect as Spirited Away, I think) was a way of putting his lens on a new imagination (Diana Wynne Jones') and drawing out new corners. His inventions to the story are interesting. They do not put tropes back in (like Hollywood adaptations tend to)--they add wider spins. He makes a story with pockets of darkness part of a cosmic struggle where the darkness is overwhelming.

Seeing artwork from the movie (that I've got on my own computer, have for months!) while reading it, I feel the poignancy of what he created out of that story more strongly than from the prose.

This is very roundabout, but in a way, I've been talking about two artist who can bring a new dimension to another work of art by focusing their vision.

In a way all artists do that. We not only contribute to the art lexicon we draw from it. Some more obviously than others, and at different times more completely. Kinuko Y. Craft's Elinor of Aquitane paintings (there are two!) and the ones she's done of Raine and Od and other characters' of McKillip's have a certain focus that gives them meaning beyond some of her generic faerie work, I think. Miyazaki does best drawing on his own Japanese historical roots, vividly painting a piece of Japanese culture--but also at bringing to life and color the Wizard Howl.

What will you draw on to focus your art?
 Or how do your favorite artists hone their vision in?

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