idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
I'm having a relatively good time, reassembling the opening of Vigil.

For one thing, it's wicked good to just have the thing feeling like it's WORKING.
The first time, there were things I really liked about each character, and each conversation, and a lot of the scenes...but no real chemistry.

And now it seems like that's fixed. I'll finish the redraft of a certain scene and chuckle evilly.

Because everything makes that zinging sound as it goes by.



***

I wanted How To Train Your Dragon Sunday, and it was awesome and adorable, and a piece of art in every way (except maybe plot, which was a solid, working form, no complaints)

but

The SCORE. It is a seriously masterful fusion of Celtic and modern world-style melodies in a symphonic soundtrack. It ranks as one of the few scores that while hearing it made me not only more excited about the story, but really made me want to hear the music itself.

This may  seem to be a problem, as far as just underscoring the story without being obtrusive, but I'm a musician of a kind, the same as I am a storyteller, so I notice what's working. Lord of the Rings was one score where sometimes the music was so amazing I thought "I have to know who is doing this". Pride and Prejudice was another.

I'm particularly drawn to notice when they use themes from the actual story (P&P: Regency/Baroque phrasing) to be part of the world-building in the music.
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (hoodlums)
Nobody told me Brian Jacques was gone.

It must have been one of the library trips I missed, working. And I was kind of waiting for news on Diana Wynne Jones, but I didn't know anything of him, to keep an ear to the ground. The NYTimes on it...

So this is all old-news, and maybe it will seem like not-very-big news, but we're dealing with my scale of importance here.

I feel a little sad about it.



Everyone has an author like this--you grow up and laugh at how awesome you thought those books were when you were small.
It becomes a memory of growing up, the time you realized that you were getting tired of the books being the same.

I'm very loyal, and it felt like I was betraying something, to no longer have that same fire of love for it. It was a little painful.

Brian Jacques' books were the ones that I adored around the same time I  started writing novels of my own, at 11, 12, 13. The first I collected for myself with my own money.

Now I'm much older, I'm not  dismayed about my love for them, or the fact that I outgrew them, anymore.



Redwall was my first epic fantasy. You may argue the descriptor here, but with these books I first met the concept of valorous death, the fascination of warrior-lore--about sacred swords, and brotherhood in battle. I've since lost a little of my taste for a lot of these tropes without really masterful handling and more subtlety, but the bright shining images of these scenes are part of my literary heritage now.

I also probably encountered for the first time in the series a book that did not end the way I expected, so much that I revolted against it--only to later learn why it worked.

Characters that you wanted to see more of died. People were changed by their experiences, so they couldn't go back to how they were. But good always got the better of it, and no matter how bad things got, with enough friends different from themselves, the heroes and heroines always found their way through.

Plus, there were some really cool, tough warrior girls. I wished I had half their sass...

Redwall Squirrel by Skyelar

So here's to Brian Jacques! I know for a fact he'd rather we drank to him than anything else.
Thank you for helping raise me as a bitty writer, and I hope someday to do you proud.

***


...n'aw man, now I'm going to cry. WHY DO YOU PLAY ME THE SAD THEMES FROM GHIBLI FILMS RIGHT NOW, SHUFFLE MODE
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
The flashlights came out
The sound of them move
The wet of the ground
You're starting to lose
You took every breath
You traced all my steps
To start in the streets, and end what is left

I know that this is going leave you now
I know that this is going to take you down
I know that this is going to take you out

And I am everywhere, everywhere
And I am all you need to know



~ from Cascades by Falling Up



This band had a great knack of lyrics that were eerie and SFnal, without anything so explicit about the theme, just luminescent in the words. I hope that whatever the primary songwriter is doing now they've moved on to "pursue other interests" is as creative.

I love the sneaky stuff...
idiosyncreant: cartoon avatar of blue eyed redhead with curly hair, underdyed with black (Default)
Went to the newspaper museum in Collinsville yesterday--my second time. But I learned everything over again.
I hope I'm not the only one who can hold information better the second time...

One of the crazier things is the 1916 arrival: a keyboard type creator--you could type in a row of text, which would then be made into a mold for hot lead to set in. It was a great invention, cutting labor hours of picking out each letter and setting it.

I'd forgotten seeing that.

Hopefully this time I'll put it in my brain in a way that I can access it when The Cool is needed for either historical detail or a punch of wild stuff that takes on a fantastic life of its own.

I need to go back and photograph a bunch more about it. It's a dark, messy little corner of the world, but that makes a lot of sense.

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