To say I watch Asian "doramas" to study writing would be overstating mildly.
Or blatant falsehood.
I do get some value from that, though.
(Like the way I am picking up a good bit of Korean: it would be misrepresentation to say I watch them for that. A beneficial by-product, though.)
Something I've been seeing in them is how direly the pay-off matters.
Placement, content, and intensity all matter.
Yay! ...there are no short-cuts.

< /obscure joke >
A show I've loved dearly just finished today--except that there's an episode next week. I don't know if there's just one more or, as rumored, ten.
But I'm planning to see if there is only one more, and after a while watch it as an epilogue. If it keeps going, I won't.
Dramas have the lovely habit of introducing new complications, which in the middle of the season are what keeps you watching despite the predictability of the end. How are they going to solve the problem?
After the pay-off, though?
...guh.

Hel
lo, Boys Before Flowers.
I know I'm asking for it, watching the Korean Teen Soap Operas. They're the live-action equivalent of Shojo Manga, even when they're not based off of them, and this means, if asked to continue the series
they will. Many stories are written so they could be complete in the first chapter, but are popular enough to become a series. Since they've worn out the Shiny Idea of the first bit, it's the whole bag of tricks from the Dollar Tree to keep it running...
It's just a writing aspect I've been thinking about, because I'm hitting a new wall in growth as a writer I have to punch through. I think it has to do with theme--and it's making endings harder than they usually are.
If the pay-off doesn't match the thematic statement or the most important storyline, it feels more like it's tapering off than resolving.
Hello, Boys Before Flowers!

BBF was hugely popular because the tension was almost sickeningly strong, though the romantic pay-off was portioned out in miserly drips. A series in which the hero's amnesia that makes him forget the heroine is resolved in the LAST FIFTEEN MINUTES is both worthy of its roots in shojo angst and more than a little abrupt.
There are a lot more kissing stills on Google Images than I remember the characters getting to make out, incidentally. This is more pertinent than it may appear.
A hard-won romance story should end with a fierce triumph.
This series, instead of the fierce triumph, more implied "you will always be fighting a world full of mean people and meaner circumstances".

In this story, only the minor characters here had an actual arc, with proper climax and denouement.
Luckily, the pretty boy crying above is in a new drama, after a couple of years, and doing excellently in a different role where the world feels less vicious. Yay for a chance to enjoy the eye-candy without biting a razor blade, too!
This has been
Lessons from "Dramas" ~ Ibecause I have a feeling there will be more where this came from.
...boy, that rant was a long time in coming.